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At some points two, three or even four streams run parallel.
All are fishable and such is the nature of the river that it is often hard to deduce which is main river and which is carrier.
The run-down guesthouse setting brings a wide cross-section of society together.
It’s owned (on a mortgage) by Nick Laine (excellent Ciaran Hinds) who has to cope with overwhelming debt, a wife with dementia, a song who’s a drunken would-be writer and an adopted black daughter who is pregnant but without a partner.
On through the sheep grazed valley the river flows, seemingly every sleepy, thatched village on its journey having some part of fly fishing history.
Below Stockbridge the river becomes appreciably bigger, in places too wide to cast across.
There are conscious echoes of Eugene O’Neill and Thornton Wilder in the affable old doctor (Ron Cook) who is our cosmic narrator, but Mc Pherson’s play does not feel ersatz or dwarfed by the superlative songs as the characters trudge through their low-hope lives.
, a show conceived by choreographer Twyla Tharp that folded on Broadway after three weeks in 2006.